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Artists
- Alex Sutcliffe
- Alexandra Flood
- Amy Barker
- Andrew Morrow
- Atticus Gordon
- Brendan A. de Montigny
- Barbara Brown
- Christian Chapman
- Christine Fitzgerald
- Christos Pantieras
- Daniel Sharp
- David Gillanders
- Guillermo Trejo
- Judy Nakagawa
- Julia Campisi
- Julia Sent
- Kristy Gordon
- Lan Florence Yee
- Laurence Finet
- Leslie Hossack
- MaryAnn Camps
- Michael Schreier
- Natalie Bruvels
- Norman Takeuchi
- Sam Loewen
- Stéphane Alexis
- Susan Roston
- Troy Moth
- Yvonne Wiegers
- Exhibitions
- Design
- Blog
- Our Approach
- Contact
-
Artists
- Alex Sutcliffe
- Alexandra Flood
- Amy Barker
- Andrew Morrow
- Atticus Gordon
- Brendan A. de Montigny
- Barbara Brown
- Christian Chapman
- Christine Fitzgerald
- Christos Pantieras
- Daniel Sharp
- David Gillanders
- Guillermo Trejo
- Judy Nakagawa
- Julia Campisi
- Julia Sent
- Kristy Gordon
- Lan Florence Yee
- Laurence Finet
- Leslie Hossack
- MaryAnn Camps
- Michael Schreier
- Natalie Bruvels
- Norman Takeuchi
- Sam Loewen
- Stéphane Alexis
- Susan Roston
- Troy Moth
- Yvonne Wiegers
- Exhibitions
- Design
- Blog
- Our Approach
- Contact
-
Artists
- Alex Sutcliffe
- Alexandra Flood
- Amy Barker
- Andrew Morrow
- Atticus Gordon
- Brendan A. de Montigny
- Barbara Brown
- Christian Chapman
- Christine Fitzgerald
- Christos Pantieras
- Daniel Sharp
- David Gillanders
- Guillermo Trejo
- Judy Nakagawa
- Julia Campisi
- Julia Sent
- Kristy Gordon
- Lan Florence Yee
- Laurence Finet
- Leslie Hossack
- MaryAnn Camps
- Michael Schreier
- Natalie Bruvels
- Norman Takeuchi
- Sam Loewen
- Stéphane Alexis
- Susan Roston
- Troy Moth
- Yvonne Wiegers
- Exhibitions
- Design
- Blog
- Our Approach
- Contact
Double Flame
If you are interested in a piece that is already sold in this collection, please ask about a similar commissioned work from Claudia.
At first glance, these high-contrast, horizontal woven bands read like forms of code -- the dot and dash of a morse transmission, or the zeros and ones from digital programming. Almost like the ticker line that runs incessantly during a news broadcast, these works vibrate with a continual sense of urgent motion.
Their frenzied message is, however, interrupted mid-delivery. Tangles and tethers of winding wool break the linear reading of this message and it is here that the artist interweaves a more personal narrative. Referencing ancient Peruvian traditions of Quipu - data records made by encoding information into precise knotted cords of cotton and camel hair - Gutierrez combines these historic techniques with materials that are exceptionally intimate: wool from Mexico is wrapped reverently around the bedsheets belonging to herself and her partner to create many of these works.
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