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Here's A Place to Start

Here’s Place to Start, Andrew Morrow’s first solo exhibition with Studio Sixty Six, marks a shift away from Western historical narrative painting towards intimate, personal, and socially-motivated figurative works. Drawing from theorists and philosophers Elizabeth Povinelli, Georg Hegel, Édouard Glissant and Hannah Arendt, Morrow proposes a material painting practice grounded in notions of friendship and rooted in mutual recognition, opacity, stewardship, transparency, and appearance. Developed principally from what Morrow calls “studio sessions” (provisional spaces of mutual and consensual sovereignty) the paintings in this exhibition act as public indexes of the artist’s private and personal exchanges.

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  1. Neither Brightly Lit Nor Completely Enlightened
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  2. “Heavenly days I thank you (Alex and Cleo)”
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  3. “Finished before it is (Nic’s studio)”
  4. “I’m sure my cats would join too (Emily)”
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  5. “Spread the good word (Cam’s living room)”
  6. “You caught me mid spread (Paul)”
  7. “Which I love (Kimana and Nic)”
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  8. “A calibrated two-dimensional plot (Owen)”
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