"In a spirit both feminist and punk, my work challenges divisions between high art, decoration, and illustration. I interweave motifs from disparate genres and time periods—from Old Master history painting to Persian miniatures—to create temporally ambiguous settings for strange and surprising interactions among people, animals, and hybrid creatures.
"My visual narratives counter-historical representations of the figure in painting, namely white bodies performing conventional gender roles. Instead, I populate my work with people from diverse backgrounds. To dismantle gendered hierarchies long embedded in our visual culture, I insert feminine or camp motifs—flowers, unicorns, and fairies, for example—into traditionally masculine genres. The presence of monsters and mythic beings further suggests that these are spaces where identity is fluid."
- K. Gordon
Gordon received a BFA from the Ontario College of Art and Design in 2011 and an MFA from The New York Academy of Art in 2013. She is an adjunct Professor at the New York Academy of Art. Her work has been widely exhibited in solo and group exhibitions throughout Canada, the United States, Europe and China at venues including the European Museum of Modern Art in Barcelona, Spain, the National Academy Museum, NYC and Flowers Gallery, NYC. As a three-time recipient of the Elizabeth Greenshields Foundation Grant, her paintings have won numerous awards and honors. She has received residencies at the Central Academy of Fine Arts in Beijing, China; Shanghai University in China; OCAD University Florence, Italy; and has apprenticed with Odd Nerdrum in Norway and France. Gordon’s work and art writing have been featured in publications, including The Artist’s Magazine, International Artist and Fine Art Connoisseur. She has lectured and done painting demonstrations at venues including China Central Academy of Fine Arts in Beijing and Sotheby’s in New York City. Her paintings hang in more than 600 collections worldwide including the Government of Ontario Art Collection, The Clearing House (New York City) and Touchstones Nelson Museum of Art and History. Gordon is represented by Grenning Gallery in Sag Harbor, New York; Garvey|Simon in New York City; and Studio Sixty Six in Ottawa, Canada.